LORCA'S LAST DREAM

As he lies dying from gunshot wounds, Federico García Lorca imagines a story to redeem his executioner. In it, Luciano Guzmán, a lieutenant colonel in the Spanish Guardia Civil, arrives in New York carrying a mysterious sarcophagus. There, his encounter with Federico, an 8-year-old boy, and Carlo, a sadistic sailor, turns the officer’s visit into a harrowing ordeal.

CHÂTEAU LA BELLE

Freely inspired by real events, Château La Belle is the story of an asylum in the Alps in the 1960s where women were lobotomized, raped and impregnated in order to make a business out of selling babies.

DARK HORSES

Dark Horses is an anthology feature film composed of five chapters set in different times and places. In each one, the figure of a horse, symbol of strength and freedom, guides the protagonists on a journey of confrontation with their inner selves until they reconnect with their true essence. The stories converge in a choral tale about the human experience, embracing the complexity of each emotion and learning to ride them with courage toward freedom and self-acceptance. The first story, with a metaphysical tone, acts as a prologue and conceptual framework for the film's symbolic universe.

VIOLETA

Violeta is a 10 year-old girl who lives in a village where everyone knows each other and the days are charmingly similar. As captain of the school soccer team, Violeta leads with courage, curiosity, and enthusiasm. And always finds some adventure that helps her understand how the world around her works, why things are the way they are, and whether there is another way of doing them. Thanks to her curious and innocent attitudes, Violeta will make adults rethink their attitudes and try to change them. Although, as everywhere, there are people who are not comfortable with change.

DREAMING OF MOMO

For Carlos, the shock of his brother’s terminal diagnosis hit deeply. What could he do? As an artist whose way of expressing himself has always been through documenting life, he had no choice but to turn the camera toward his brother. Perhaps to hold on to every fragment of memory, to resist forgetting. But in doing so, he realized that what he was also capturing was his own process of saying goodbye. The film is an act of transformation, turning grief into celebration through Momo’s vision of art: the possibility of rediscovering beauty in simple things and remembering why life is worth living.

WATER IS THE BEST

Two friends who share a house with two dwellings and a well in their garden begin to trade with it. One by bottling it and the other by the other by watering a vegetable garden whose produce she sells. They build a machine around the well to exploit it better and better. The machine works faster and faster.

Eltzegorra

It is said that we hear with our eyes, that when we are unable to identify the origin of a sound with our sight, our sense of alert is activated. In 1729, two brothers from Idiazabal were sentenced to exile for playing a forbidden instrument, the eltzegorra, a clay pot made of cat fur with a rope hanging from it. In the trial, documented in a manuscript from that year, witnesses recall the events, making special mention of the description of sound and its effects. Now, through the staging of the trial, the film explores the evocative power of sound and the fear of the unknown.

A Sucker's Born Every Minute

Toni, once a famous singer, now has gambling debts and struggles to make ends meet. His luck changes when Malena, a former lover, introduces him to Junior, a wealthy young man, ready to hire him to steal a priceless painting from his own mother. To carry out this supposedly easy heist, Toni recruits a clumsy crew, forming a team in which each one pursues their own interests.

Bizkaia, 1935. A violent storm runs an English coal ship aground. Overnight, the people of Algorta crowd the shore to claim the black gold. Sabas Jauregui sees it as a stroke of luck; his wife, Josefa, as a bad omen. Disregarding her pleas, Sabas drags their children into the heart of the storm. The family will do the unthinkable to protect the coal that might save them from winter—or doom them forever.

THE HARVESTER

Álava, 19th century. Several women are found strangled on the outskirts of Vitoria. Ángela Berrosteguieta (Patricia López Arnaiz), sister of one of the victims, arrives seeking justice, determined to prove that Juan Díaz de Garayo (Antonio de la Torre), an illiterate farmer, is responsible for the crimes. Meanwhile, Pío Pinedo (Josean Bengoetxea) must contend with a woman whose actions threaten to undermine the credibility of the entire constabulary.