In a world where violence has normalized the absurd, being a superhero is trendy. You don't need powers or a tragic past—just a flashy costume and a desperate need to be someone. Because today, heroism isn't a calling... it's a personal brand.
A group of losers slackers, nostalgics, and dreamers decide to reinvent themselves as urban vigilantes, seeking meaning in their dull lives. What starts as a clumsy, pathetic game goes viral when an accident accidentally turns them into the city's new saviors.
But success comes with a price. Power in this city is controlled by Marcus, a charismatic psychopath who dominates the media, social networks, and the most dangerous mafia: The Egyptians. Fascinated by the viral phenomenon of these "superfucked" idiots, he turns them into his new entertainment... and a threat.
Pushed into a spiral of fame, action, and stupidity, these wannabe heroes must face their fears, desires, and utter ridiculousness. And when everything is about to explode, only a true superhero the mythical and brutal Super Tocho can put things back in place.
Superfucked is an absurd action comedy, with the heart of satire and the soul of a cult classic, rewriting the superhero genre through unhinged humor. A story about losers who, by accident, become icons. Or the worst disaster imaginable. A savage satire on ego, fame, and the desire to be special... no matter the cost.
Alicia (Marian Álvarez) and Gonzalo (Israel Elejalde), a middle-class couple, find themselves with the opportunity to enroll their son Fer in an elite secular school. For the parents, this means getting a foothold in the upper class, new friendships, higher incomes, countless advantages. They say they are doing it for their son.
In this wonderful contradiction between fears and moral principles, the couple's high aspirations will reveal how far they are willing to go to change class.
For Carlos, the shock of his brother’s terminal diagnosis hit deeply. What could he do? As an artist whose way of expressing himself has always been through documenting life, he had no choice but to turn the camera toward his brother. Perhaps to hold on to every fragment of memory, to resist forgetting. But in doing so, he realized that what he was also capturing was his own process of saying goodbye. The film is an act of transformation, turning grief into celebration through Momo’s vision of art: the possibility of rediscovering beauty in simple things and remembering why life is worth living.
Violeta is a 10 year-old girl who lives in a village where everyone knows each other and the days are charmingly similar.
As captain of the school soccer team, Violeta leads with courage, curiosity, and enthusiasm. And always finds some adventure that helps her understand how the world around her works, why things are the way they are, and whether there is another way of doing them.
Thanks to her curious and innocent attitudes, Violeta will make adults rethink their attitudes and try to change them. Although, as everywhere, there are people who are not comfortable with change.
Dark Horses is an anthology feature film composed of five chapters set in different times and places. In each one, the figure of a horse, symbol of strength and freedom, guides the protagonists on a journey of confrontation with their inner selves until they reconnect with their true essence.
The stories converge in a choral tale about the human experience, embracing the complexity of each emotion and learning to ride them with courage toward freedom and self-acceptance.
The first story, with a metaphysical tone, acts as a prologue and conceptual framework for the film's symbolic universe.
Ángel is a young and attractive personal trainer to whom life seems to smile. After a sabbatical year, he has just been hired by the best gym in the city, and everything appears to be going smoothly. But his world is turned upside down when he starts feeling unwell, goes to the hospital, and receives unexpected news: he is pregnant. In reality, Ángel is a trans man who was only one final step away from completing his transition, and now he must face a decision that will test his identity, his dreams, and the way he understands his own masculinity.
Toni, once a famous singer, now has gambling debts and struggles to make ends meet. His luck changes when Malena, a former lover, introduces him to Junior, a wealthy young man, ready to hire him to steal a priceless painting from his own mother. To carry out this supposedly easy heist, Toni recruits a clumsy crew, forming a team in which each one pursues their own interests.
Bizkaia, 1935. A violent storm runs an English coal ship aground. Overnight, the people of Algorta crowd the shore to claim the black gold. Sabas Jauregui sees it as a stroke of luck; his wife, Josefa, as a bad omen. Disregarding her pleas, Sabas drags their children into the heart of the storm. The family will do the unthinkable to protect the coal that might save them from winter—or doom them forever.
Caballé recounts the story of the soprano from her beginnings to her rise as the great diva of world opera. The film alternates between two periods of her life: on the one hand, her youth in a humble family marked by postwar hardship and the pressure of being the last hope for her loved ones; and on the other hand, her peak in 1991, when, already a great diva, she performs in her native Barcelona.
In a world on the brink of chaos, where ancient gods threaten to awaken, a motley crew of individuals—a young woman trapped in a sinister cult, a detective who confronts the occult, and a man burdened by the horrors of another age—find themselves connected to a forbidden book that holds the key to humanity's survival or destruction.
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