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LATEST PRODUCTIONS

LO NUESTRO

LO NUESTRO

On a stormy summer night, LUIS (45) flees the scene after accidentally hitting a woman riding her bicycle down a wide avenue on the outskirts of the city. Racked with remorse, and after learning that the woman is in critical condition, Luis decides to donate his liver to her as the only way to make amends for his fateful mistake. When Luis meets SOFIA (40), love blossoms instantly between them, and they immediately begin a passionate relationship. Shortly afterward, Luis discovers that Sofia is the very woman he hit, and their relationship takes a 180-degree turn. Sofía begins to have recurring nightmares and wants to know more about that accident, but Luis is unable to tell her the truth. His love for her and his fear of losing her—fearing he might not earn her forgiveness—will lead Luis to a point of no return where an innocent man will pay the full price.

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STILL WARM

STILL WARM

A monstrous, red-skinned, horned body has been found in a remote mountain area. A team of scientists, led by renowned and now-retired forensic expert Maureen Hughes, has been assembled to perform an autopsy and answer one question: is this really the Devil’s corpse?

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ROMANCE OF THE BLACK MOON

ROMANCE OF THE BLACK MOON

Clara, a 90-year-old woman living alone in the Basque Country, finds her quiet life disrupted by the arrival of a mysterious neighbor. From that moment on, figures drawn from memory, philosophy, and love begin to reappear along her path. Moving between the everyday and the fantastic, Clara enters a realm where memories take physical form and time itself seems to stand still. An intimate journey through old age, absence, and the possibility of rediscovering what once seemed lost forever.

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This Solitude

This Solitude

Leo and Lorea have loved each other. Perhaps they still do. But something between them has broken. After five years, their relationship has come to an end. He carries the burden of his sick father, caught between responsibility and an emotional detachment that weighs heavily on him. She, tangled up in poorly paid jobs and personal crises, tries to put herself back together without really knowing where to begin. They are two tired, lonely bodies, shaped by precarity, by unresolved issues, and by the emotional inheritance of a generation that always seems to arrive late to everything: love, stability, maturity, peace of mind, and personal fulfilment.

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LA IMAGEN DE UN CRIMEN

LA IMAGEN DE UN CRIMEN

Unai is 70 years old, a retired air traffic controller, and believes he has uncovered a crime while learning to use Google Street View. No one takes him seriously, except for the young teacher of the computer class for retirees. Together, they uncover a plot that puts them in the deadly crosshairs of a criminal conspiracy.

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LA FUGA DE SAN CRISTOBAL

LA FUGA DE SAN CRISTOBAL

2,500 prisoners eke out a miserable existence in Fort San Cristóbal, which has been converted into a prison. Hunger, cold, disease, overcrowding, abuse, and death are part of daily life for prisoners brought from all regions of Spain. The fortress, with a capacity for 500 prisoners, holds five times that number within its walls. Greedy administrators line their pockets with the money meant for the prisoners’ food, causing starvation, disease, and constant deaths. The prisoners’ wives travel hundreds of kilometers to see them for 15 minutes behind bars; some stay in Pamplona and weave a network of solidarity to support one another. Driven by desperation, a group of prisoners secretly plans a suicidal escape for months. On May 22, 1938, without firing a single shot, 20 defenseless men took control of a prison guarded by 150 well-armed soldiers. An almost perfect plan, brilliantly executed… But they made a mistake. A crucial blunder that would turn the escape into a deadly manhunt.

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LA BALADA DEL EXTRAÑO Y EL PREMUERTO

LA BALADA DEL EXTRAÑO Y EL PREMUERTO

Aizpea, a small, fictional town in the Baztan Valley, very close to the French border. Summer is in full swing. Among its residents are two men who, at first glance, couldn’t be more different. SABINO, 72, a widower and retiree from the family stone-masonry business, is a calm, sensitive man who loves his vegetable garden, slow cooking, and walks through the meadows. PELLO, on the other hand—a portly fifty-something, a retired stone cutter, and MARIBEL’s “unhurried boyfriend”— is pure excess: laughter must ring out loud, plates must overflow, glasses must never run dry, and the tavern, for decency’s sake, should never close its doors. One has saved his whole life with discipline; the other is undone by gambling and betting. One shaped stone with care; the other hoisted it with all his might. And yet, they are close friends. So much so that they’ve been living together for over fifteen years in Sabino’s family home. A living arrangement that works surprisingly well, sustained by minor arguments, shared customs, and toasts that smooth over almost everything. Until one day, Sabino is diagnosed with advanced cancer.

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SI TE HE VISTO NO ME ACUERDO

SI TE HE VISTO NO ME ACUERDO

Bea wakes up with amnesia and a millionaire fiancé, but a message reveals that she's a con artist. Now she must choose between a life of luxury and a return to her criminal past.

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EL HERMANO DE LAS MOSCAS

EL HERMANO DE LAS MOSCAS

An engineer with an orderly, highly pragmatic lifestyle decides that the best way to help his brother cope with the strange transformations he undergoes—which, once a year, turn him into flies—is to keep them a secret and deal with them just like any other part of his routine: with responsibility and diligence. But the harder he tries to maintain normalcy, the more determined the flies seem to be to disrupt his entire life with an influence that—as if it were a curse—goes beyond the transformations and threatens to turn the relationship between him, his wife, and his brother into a toxic triangle rife with jealousy, envy, and resentment.

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ALL WE NEVER WERE

ALL WE NEVER WERE

Leah (19), an aspiring young painter, is broken. Since the tragic accident that took both her parents away, she has become a shadow of who she used to be. When Oliver (30), Leah's older brother, is offered a job away from home to support Leah through College, he asks his best friend Axel (30) to take care of her. Unaware that Leah has always been in love with him and that both their lives are about to change dramatically, Axel promises to look after her. He makes it his mission to help Leah pick up the pieces and become the colourful girl she once was. As their attraction towards each other grows to unbearable proportions, Leah and Axel must decide whether to suppress their taboo love or to Let It Happen.

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