MOLD

After a terrible day, Arnau discovers a patch of mould in the bathroom. Obsessed with removing it, he channels his anxiety into it, spiralling into paranoia. Unable to distinguish reality, he ends up sacrificing Cristina.

THE TRUCE

Reyes and Salgado, two young men who fought on opposing sides in Spain, must now share suffering and hope in a Soviet gulag during the Second World War. Living together will force them to join forces and face the cold, hunger and horror that lurks behind the barbed wire. They will have to strip away their ideologies to discover the person hidden beneath each uniform.

The shadow of the ombú

Born in 1857 into a humble family of bertsolaris in Zizurkil (Gipuzkoa, Spain), Pello Mari Otaño has left an important legacy, both in the world of “bertsolarismo” and in popular poetry. His life was marked by emigration to the diaspora, melancholy, and a constant search for identity. At the end of the 19th century, fleeing the conflicts and instability that ravaged the Basque Country, he decided to emigrate to Argentina, a common destination for many Basques seeking a new beginning. He herded cattle with the gauchos, worked at many trades, and read popular poets such as Rufo Tolosa and José Hernández. In Buenos Aires, he began teaching Basque language at the Laurak Bat Basque Center and wrote the libretto for a couple of operas. Otaño felt Argentinean in Europe and Basque in the Pampas. Melancholic under the shade of the ombú, a tree of the pampas, Otaño found inspiration by transforming this tree into a symbol of the emigrant's nostalgia, alleviating the longing of generations of Basque emigrants.

SUNDAYS

‘Sundays’ tells the story of Ainara (Blanca Soroa), an idealistic and brilliant 17-year-old who has to decide which university degree she will study. Or, at least, that is what her family expects her to do. However, the young woman says that she feels closer and closer to God and that she is thinking of becoming a cloistered nun. The news comes as a surprise to the whole family, causing an abyss and a trial by fire for everyone.

QUEEN OF COAL

Inspired by true events, “MISS CARBÓN” is a story of resilience about passion and dreams that know no gender. Carlita became the first woman miner in a town where women were forbidden from entering the main source of the region’s livelihood: the coal mine. A superstition held that women were a threat of collapse, and mining work was reserved for men. Carlita, as a trans woman, managed to enter the mine, breaking the system from within and sparking the flame of a revolution.

LOS TIGRES

Antonio is the Tiger, an unbeatable diver who risks his life on every dive. Estrella, his sister, assists him on the boat where they work. After an accident, the future looks bleak. Everything could change when he comes across a stash of cocaine.

THE MYSTERIOUS GAZE OF THE FLAMINGO

In the early 80', in the Chilean desert, eleven-year-old Lidia grows up in a loving queer family pushed on the edge of an unwelcoming dusty mining town. They are blamed for a mysterious illness that's starting to spread - said to be passed through a single gaze, when one man falls in love with another. In this modern western, Lidia leads a quest for vengeance, facing violence, fear and hatred, where family is her only refuge and love might be the real danger.

Rita is the youngest in the family, and she’s fed up with her parents and siblings always glued to their phones and ignoring her. On a trip to her grandmother’s village, she meets a fortune teller who grants her a wish: for all the phones to disappear. As they leave the village, a thick fog surrounds their car and suddenly there’s no signal. Rita’s wish has come true—but not quite as she imagined… The family has traveled back in time and landed in the Middle Ages. Now they must rely on their wits to find a way back to the present while struggling to survive in a feudal village in the midst of the Reconquista.

HUMAN CANNONBALL

Mikel Erentxun’s 40-year musical career, his 60 years of age, and his 25-year relationship with his partner serve as an excuse to tell the life and story of one of the most influential artists on the national music scene. Moving between the artist’s professional path and his personal life is part of the essence of this film. Embracing his fear of death and, above all, of the passage of time leads Mikel to make important decisions in his life.

ERREKA ZOKO HORTAN

Joxepi, eldest daughter of the Iparragirre farmhouse, has to carry out her father's job after falling ill: transporting a heavy package across the border with France. The night is dark and not as smugglers often say, for her the police are not the worst thing that the forest hides...